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Диссертация (1101562), страница 41

Файл №1101562 Диссертация (Ритмико-просодические особенности изображения литературного героя в прагмалингвистическом освещении (на материале английской художественной литературы)) 41 страницаДиссертация (1101562) страница 412019-03-13СтудИзба
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Текст из файла (страница 41)

|| []T(1)These notes were perfectly interdependent,TD+3Tlittle polished hinges swinging the melody through its perfect arc. ||D+1TDD+2TM(3)(6)He could almost hear it again as he reached the top of the angled rock slab and paused to reach into his pocket fornotebook and pencil. ||TDTD||MTDTTT(2)Man optimistic resolve against the odds. ||D+2D+1Courage. |||D D T (12)(2)There was merriness there too, |D+1D+1M(3)T(1)1().4It came as a gift;DMa large grey bird flew up with a loud alarm call as he approached. ||TMD+1TTDM(2)(7)As it gained height and wheeled a way over the valley it gave out a piping sound on three notes which he recognized asthe inversion of a line he had already scored for a piccolo.

||D+1MTDD+3DHow elegant, |DDD+3TDTMDD+3(1)how simple. ||M(14)T(2)Turning the sequence round opened up the idea of a plain and beautiful song in common time which he could almost hear.|DTMBut not quite. ||D+1D+1M MAn image came to him of a set of unfolding steps, |TTD|sliding and descendingD+1TTDMDMMMOne note lay over and suggested the next.

||DD+1DTD+3TM (11)(2)(6)(1)or from the door of a light plane. ||DD(2)from the trap door of a loft, |MTM(3)(4)198He heard it, |T(1)T(1)he had it, |then it was gone. ||DM(2)There was a glow of a tantalizing after-image, |DD+1D+1(3)and the fading call of a sad little tune. ||TDDM(4)This synaesthesia was a torment. ||MTD+2T(4)These notes were perfectly interdependent,TDDTlittle polished hinges swinging the melody through its perfect arc. ||TTDD+2TM(4)(6)He could almost hear it again as he reached the top of the angled rock slab and paused to reach into his pocket fornotebook and pencil.

||TDDTD||MTDTTMTCourage. |||TM(1)1(It came as a gift. ||).5MA large grey bird flew up with a loud alarm call as he approached. ||TTDTMM DAs it gained height and wheeled away over the valley,TMD T (12)(5)TDD(2)an optimistic resolve against the odds. ||T DD+1(3)There was merriness there too, |D+1TTD+3MT(2)(8)(5)it gave out a piping sound on three notes which he recognized as the inversion of a line he had already scored for apiccolo. ||DTHow elegant,MTMDD+3D+1DDD+1T(11)(2)how simple.

||MDT(2)Turning the sequence round opened up the idea of a plain and beautiful song in common time which he could almost hearbut not quite. ||DM MTMD+2DTDT(15)TMDTTAn image came to him of a set of unfolding steps sliding and descending from the trap door of a loft or from the door of alight plane. ||MMTD+2DTMD+1D+1(13)D+1MDD199One note lay over and suggested the next. |DD+1He heard it,DM(4)T(1)T(1)he had it,then it was gone. ||M(1)There was a glow of a tantalizing after-image and the fading call of a sad little tune. ||DD+1D+2TThis synaesthesia was a torment,DD+3TDDDDTlittle polished hinges swinging the melody through its perfect arc.

||TTTD(7)(3)these notes were perfectly interdependent,TMD+2TM(4)(7)He could almost hear it again as he reached the top of the angled rock slab and paused to reach into his pocket fornotebook and pencil. ||TDDTMD|TDTMD+1MT1(A large, |).M(2)grey bird flew up with a loud alarm call as he approached.

||MD+1TMD+1TDD T (12)6MMD(5)It came as a gift. ||DD+1(2)an optimistic resolve-against-the-odds courage. |||T DT(3)there was merriness there too,D+1DTD+2M(1)(6)As it gained height and wheeled away over the valley it gave out a piping sound on three notes which he recognized asthe inversion of a line he had already scored for a piccolo. ||How elegant, |TDDMDDTD+1(16)DMMD+3(1)how simple, || []T(1)turning the sequence round opened up the idea of a plain and beautiful song in common time which he could almost hear, |DTbut not quite.

||MMD+2DD+2MTTMTM (11)(2)An image came to him of a set of unfolding steps sliding and descending from the trap door of a loft or from the door of alight plane. ||MMD+4TDMTD+1(11)D+1D+1D200One note lay over and suggested the next, ||DD+1he heard it, |DM(4)T(1)T(1)he had it, |then it was gone. ||DM(2)There was a glow of a tantalizing after-image and the fading call of a sad little tune, |DD+1this synaesthesia was a torment, |D+2D+3TDDTM(7)(2)these notes were perfectly interdependent little polished hinges swinging the melody through its perfect arc. ||MTDDTD+1TDD+2TM(11)DD T (13)He could almost hear it again as he reached the top of the angled rock slab and paused to reach into his pocket fornotebook and pencil.

||TDTM|MTDTMTM(2)an optimistic resolve-against-the-odds, |T DD+1courage. |||M(4)T(1)1().It came as a gift. ||DMTTA large grey bird flew up with a loud alarm call as he approached. ||DTTDMAs it gained height and wheeled away over the valley,MTTMDTit gave out a piping sound on three notes,DD+1(2)there was merriness there too, |D+1TTTM(2)(7)(6)M(5)which he recognized as the inversion of a line he had already scored for a piccolo.

||D+3D+1How elegant, | [DDD]Dhow simple. || [(6)(1)]TD(1)Turning the sequence round opened up the idea of a plain and beautiful song in common time, |DTMD+1which he could almost hear, |but not quite. ||MMTMD+1TDTTM(10)(2)(2)201An image came to him of a set of unfolding steps sliding and descending from the trap door of a loft or from the door of alight plane. ||MD+1MDTDMD+1D+1One note lay over and suggested the next. ||DHe heard it, |D+1DM(1)T(1)he had it, |then it was gone. ||MD(2)There was a glow of a tantalizing after-image and the fading call of a sad little tune. ||DD+1D+3This synaesthesia was a torment.TD+1(4)TDD+1(12)D+2TDDTM(7)(3)These notes were perfectly interdependent little polished hinges swinging the melody through its perfect arc.

||TDDTD+1TDD+2DTTM(10)DD T (11)He could almost hear it again as he reached the top of the angled rock slab and paused to reach into his pocket fornotebook and pencil. ||D+2DTTDthere was merriness there too. ||MAn optimistic,TD+1MTMcourage. |||(1)He peeled one off and passed it across.||TTDDTFor a moment it made no sense,MMTTMthen it re solved into a medium close-up. ||DD+1DIncredible. ||| [(4)(4)beyond its glossy blacks and whites, |T(4)T,M D(4)]Vernon stretched out his hand for another; |TMTTTTDhead to foot and tightly cropped; |and then the third, |Mthree- quarter profile.

||MT(4)(2)TTD+1(2)resolve-against-the-odds,D+1TTMT(2)(5)(4)(1)(3)202He turned back to the first,MDM(3)all other thoughts suddenly dispelled. ||DMD+1MTDDT(4)Then he studied the second and third again, [M](5)seeing them fully now and feeling waves of distinct responses: | [DD+1DMTastonishment first, |DTMDDDD](4)Suppressing it gave him a sense of levitating from his chair. ||Next,TD+3Mhe experienced ponderous responsibilityDD+3Dor was it power? || [M|(3)T(2)MM(2)DMM(1)And who could tell,M(2)per haps Vernon was in a poMD+3AndTTDT](2)was in his hands.T(5)(1)Tor at least his career,](6)(2)followed by a wild inward hilarity.

|| [D+1TT||| [TTD+1T||(7)](4)2He peeled one off and passed it across.||TTDMFor a moment it made no sense,DTM(3)beyond its glossy blacks and whites, |TTTMthen it re solved into a medium close-up. ||DD+1DIncredible. ||(4)TM D(4)(4)(2)Vernon stretched out his hand for another; |TDTTDhead to foot and tightly cropped;TMT(4)(4)203and then the third,TM(2)three- quarter profile.

||DT(2)He turned back to the first,MDMall other thoughts suddenly dispelled. ||DMD+1MTDDT(3)(4)Then he studied the second and third again, |M(5)seeing them fully now and feeling waves of distinct responses:DTMDMTastonishment first, |DTMDDDD(4)Suppressing it gave him a sense of levitating from his chair.

||Next,TD+3Mhe experienced ponderous re sponsi bilityDD+1Tor was it power? ||DM(4)T(2)MM(2)or at least his career,M(2)was in his hands. ||M(1)And who could tell, |TM(2)per haps Vernon was in a poMD+3TTDT(5)(1)TD(7)(2)followed by a wild inward hilarity.

||D+1TTT|||TD+1T||(7)(4)3He peeled one off and passed it across.||TTDFor a moment it made no sense, |DTMMbeyond its glossy blacks and whites, |TTTIncredible. ||DD(3)M(4)T(3)then it resolved into a medium close-up. ||D+4(4)(1)204Vernon stretched out his hand for another; |TDTTDThead to foot and tightly cropped;TMand then the third, |(4)M(1)three- quarter profile. ||DT(2)He turned back to the first, |MDMall other thoughts suddenly dispelled. ||M T(4)MD+1MDDTThen he studied the second and third again,M(3)(5)(4)seeing them fully now and feeling waves of distinct responses:DTD+1DMDastonishment first, |TMDD(4)Suppressing it gave him a sense of levitating from his chair.

||TD+1Next, |TD+3Mhe experienced ponderous re sponsi bilityDD+1Tor was it power? ||TMDMMMperhaps Vernon was in a poD+3TT(2)DT|||TDFor a moment it made no sense,DTMMbeyond its glossy blacks and whites, |TTMT(4)He peeled one off and passed it across.T(4)(1)And who could tell, |T(1)(1)was in his hands. ||T(5)(2)or at least his career,TM(1)|M](6)(2)followed by a wild inward hilarity. ||D+1[TD+1T|(6)4(4)(3)(3)205then it resolved into a medium close-up. ||D+1DIncredible. ||T(3)DVernon stretched out his hand for another;TDTTDThead to foot and tightly cropped;TMand then the third,(1)(4)(4)M(1)three- quarter profile.

||MTT(3)He turned back to the first,D+1Mall other thoughts suddenly dispelled. ||DMD+1MDDT(2)(4)Then he studied the second and third again,M(4)seeing them fully now and feeling waves of distinct responses:DD+3DMDastonishment first,TMDD(4)Suppressing it gave him a sense of levitating from his chair. ||D+3TNext, |(5)(2)followed by a wild inward hilarity. ||D+1TD+3MM(4)(1)he experienced ponderous re sponsi bility |DD+1Tor was it power? ||D(4)TT(2)MM(2)or at least his career,D[Mwas in his hands. ||TM(2)And who could tell, |TMperhaps Vernon was in a poD+3AndTTTT(2)DT|||TDTD+1T||(6)(4)He peeled one off and passed it across.||T](2)M5(4)206For a moment it made no sense beyond its glossy blacks and whites, |DTTTthen it re solved into a medium close-up.

||DD+1DIncredible. ||TTM DTM(4)(2)Vernon stretched out his hand for another, [TDTTDThead to foot and tightly cropped, |TMand then the third, |T(2)three- quarter profile. ||T(2)He turned back to the first, |D+1](4)(4)MDM(2)all other thoughts suddenly dispelled, |DMD+1MDDTthen he studied the second and third again, |M(4)(4)seeing them fully now and feeling waves of distinct responses, |DTD+1DTastonishment first followed by a wild inward hilarity. ||D+1D+1MDTDSuppressing it gave him a sense of levitating from his chair. ||DDNext,TD+3Mhe experienced ponderous re sponsi bility,DD+1Tor was it power? ||DM(2)MM(2)DM(5)(5)(4)Tor at least his career,(6)(1)T(2)was in his hands and, |T(2)M(2)who could tell, |T(7)perhaps Vernon was in a poD+3DD+1D+1TaTTT|||(8)6He peeled one off and passed it across for a moment.||MDDD+2It made no sense beyond its glossy blacks and whites, |TD+1TTM(4)(5)207then it resolved into a medium close-up, |D+4Dincredible! ||T(3)D(1)Vernon stretched out his hand for another head to foot and tightly cropped and then the third three-quarter profile he]turned back to.

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