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Файл №1173520 Диссертация (Семантика и прагматика фразовых глаголов английского языка (на материале кинотекстов)) 40 страницаДиссертация (1173520) страница 402020-05-15СтудИзба
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‒ Then, I'll look forward to see you. (4.00)533. . ‒ Out here we are left out bygones be bygones. (6.08)‒ So, you can do that? I think we can never do another. I'm always bumping into bygones.534. . ‒ There's piece of land there, going for a thousand pounds. (8.30)535. ‒ Hey, guy. You get nobody into trouble in my place.

(10.47)‒ ...?!‒ You see that? It's a pink slip. If we put your name on it you'll be convict again! Understand?536. ‒ Mr. Fluskey? (12.08)‒ Turn around into my place tomorrow, will you? The driver will tell you where it is. We dine at6.30.537. ‒ There's money you need. There's 100. And take up an option with it. We'll talk about themain deal tomorrow.

(12.28)538. ‒ Now, what's the matter? (18.45)‒ They settle a slaughter while I was put away for kidnapping.539. ‒ I thought it would work out but it didn't. She sold out all what she had here. (31.45)‒ What did she do then?‒ She waited. I kept my eyes open while I was there. it didn't take long to get money. I admit to.Made it up you see for all she'd been through. It didn't work out that way.540.

‒ You know why I asked you here tonight? (33.30)‒ No, but I'd like to know.213‒ I thought the local ladies will tumble down with each other to get the governor's cousin. Thatwas just the way I didn't count. I thought that she might pull herself together.541. ‒ Good girl ‒ Millie. I don't know what would have done without her. She's got away withit. (35.00)‒ We've got to do something about it.542. ‒ That's quite obvious to me that you got mixed up with some very assisted people.Carrigan tells me that you and Mr.

Fluskey caught on the right side of the law. (37.18)543. ‒ It's better. (51.17)‒ No, it isn't.‒ Yes it is. It is always better standing on your feet and never give away.544. ‒ Mr. Fluskey, I suppose you know what was the matter with your wife last night. Shewent into her own kitchen to meet with some indigestion and brutal rudeness. (55.15)‒ That man was in her room last night with the door locked.‒ What did you say to her in the kitchen?‒ I turned it out.545. ‒ You both get out. You too, Mrs. Millie. (55.53)‒ Oh I'm getting out! I wouldn't stay an hour in this house. if you can put up with such doings on,it's your business.546. ‒ If you want to stay here you should understand that I don't like 3 things ‒ noising,fighting and stealing. If I find out one of 3 things, I'll set you back in prison.

Is thatunderstood? (1.00.14)547. ‒ Who do you mean, sir? (1.12.18)‒ You know who I mean. You can keep your eyes off and look for yourself.‒ Got it?‒ I don't know sir. I'll find it out, sir!548. ‒ Where's she? (1.15.50)‒ I told you. She is with the governor. I wouldn't go there. She is on the truant. You mustn't spoilit up.‒ Well, nice. I'm not good enough to stand beside, while my wife is with that collar!549. ‒ Get out! Get out! (1.26.50)‒ Sam, Sam, you're making a dreadful mistake!550. ‒ You drove me up to it. How can I let you go? Did you think |I had to stand by and seehow you sacrifice yourself?‒ I, I can't make it out!1950 ‒ Stage fright ‒ 1.45.27551.

‒ He started to hit me. I was getting out of my mind with fear. What do i have to do? (2.03)‒ Darling, put yourself together.552. ‒ Where were other's? (3.00)‒ In the country. I drove out early to make the house vest before the performance. Oh, what shallI do? I can't go on! I can't!553. ‒ I'm worried about you! (8.34)‒ But you mustn't. You're an actress. You're playing a part. You nerve when you're on.554. ‒ My dress! (8.48)‒ I'll get it back. Don't worry.‒ Don't come down. We shouldn't be seen together.555.

‒ No, no, darling. Don't run your words into one another. (12.57)556. ‒ Well thought you can take him away to the channel across the Irish coast and ha can hideout of it. (16.40)557. ‒ You're just dying to put into a part of this. And you know you're. (17.54)214558. ‒ Look up on the facts.

What can happen if you meet with this remarkable lady? You canspeak up a little on the telephone and call the police. She won't give you a charge forconcealing a fugitive for justice. (22.03)559. ‒ Well, if you are lucky you might get off with never see her. (22.14)560.

‒ Hello father. I'm outside Inwood House.‒ Outside. You run then into inside.‒ Don't be ridiculous, Father. The police won't let anyone into near the place.561. ‒ I'll see you back at the officer's about 2 o'clock, sir. (25.27)562. ‒ I know, I'm looking rather silly. But today on the street I heard two people talking aboutthe murder. They went into a lot of details.

(28.20)563. ‒ I've done a bit of acting. Pretty good, actually. (34.48)‒ Yes, I see. All you have to do is to put on some of your glasses, to make yourself prettycommon like me.564. ‒ Take off your hat, dear. There's simple millions to do I'm afraid... Now get me out of thisweeds. i begin to feel sad, and I shouldn't feel sad. (40.40)565. ‒ He kept on calling me. Oh, he wouldn't let me alone. (44.40)566. ‒ What do you mean? (46.40)‒ If the truth comes out it will break you.567.

‒ But everything is going on quite well. (58.08)‒ We all have a cast on the story. And we both have to stick to it.568. ‒ Oh, you understand that. I won't be able to spend whole afternoon with you, don't you?(1.9.23)‒ Can't I go along with you? I have a great programme.569. ‒ It's against the rules. I'll pick you up later. I'll get into trouble! (1.9.36)570. ‒ The only thing you have to do is to rush in there and to shout "stop". (1.16.33)571. ‒ Your acting in the taxi was clever.

(1.27.00)‒ I wasn't acting in the taxi. I was in love with the other and all my plans went off the window.572. ‒ I like you. You're so easy and patient. I'm not supposed to get on with. (1.32.33)573. ‒ Put it in the bank or go out or something. (1.32.50)574. ‒ Can I give you a lift somewhere? (1.33.00)‒ If you would ‒ drop me off on the bridge.‒ Oh, come along then.575.

‒ It is not true. (1.35.10)‒ Yes it is. But I had nothing to do with it. Jonathan wanted my name to get out of it. He sent meback to his rooms. He stayed behind to make it look like robbery.576. ‒ When I give all my love and get back treachery and hatred... It is... it is... (1.38.30)577. ‒ She set me against him anyway she could. (1.40.30)1951 ‒ Strangers on the train ‒ 1.36.38578. ‒ It'd be wonderful to have you as a company to New York. (5.30)‒ In fact, not. I'm stopping over in Mid Caf.579. ‒ Well here is luck.

Drink up. And we'll have lunch set in my company. (5.19)580. ‒ What's your wife's name? (7.30)‒ Marion. M. Joyce race.‒ I suppose she played around a lot? Has been into cheating since…how long?‒ Skip it up!581. ‒ We're coming into my station. (9.10)582. ‒ If ye ain't give me a divorce right now I'll suppose you being jealous. (11.23)‒ I got over being jealous long time ago.583. ‒ Make it up, folk. This isn't the place for family quarrel. (13.48)584.

‒ You hear what I say? You can't throw me away like an old shoos! (13.58)585. ‒ Bruno! I do wish you take up painting. (16.25)215586. ‒ Come on! Here we go! Hang it away Andrew! (23.400587. ‒ Who get a cup? I can't get on what's going on with it. (27.00)588. ‒ Oh, guy. Why should I go to Mid Caf to kill a total stranger? Unless it was part of theplan. And you were in on it. You're the one who benefits, guy. You're a free man now. Ididn't even know the girl. (30.43)‒ I have nothing to do up. The police will believe me!589. ‒ Guy, if you go to the police now.

You'll just turn yourself in as an accessory. (31.38)590. ‒ I'm sorry, I've just got in. (33.00)591. ‒ Young lady! There's no overlooking the fact that the murder is up worsens it all. (35.20)592. ‒ This is Lesley Hennessey. He works 16 hours a day, when he is done, then somebodyelse takes over him. (41.34)593. ‒ Tell me, Judge. After you sentenced a man to a chair, is it easy to go out for dinner eachnight. (52.00)594. ‒ When you sent me a key I've decided to use it. To make a social call on your father.(1.5.34)595.

‒ My cigarette case! It's very valuable. (1.19.40)‒ Down here?‒ Yes. You gotta get this radiator right away.‒ what's the trouble?‒ Can we do something? I dropped my cigarette case.‒ Can't it be good? You now can drop squandering.596. ‒ A good way of making money. (1.26.00)‒ Yeah, a business can fall of something terrible for a while.597. Yeah! Everyone stay back please! Stay back! (1.30.04)598. ‒ Can you tell the Chief. You have my lighter. (1.34.33)‒ I don't have it. It's on the island where you left it.‒ Bruno! Don't keep it up. Not in the time like this.1952 ‒ Singing in the rain ‒ 1.42.40‒ We look down the rain.

We're happy with vain. (00.30)‒ It is no surprise that they can't be taken away like bacon and eggs. (3.40)‒ Oh It's swell just swell! Take him away fellows! (8.12)‒ Ok I'll try you! Hey. Get this guy into Bert's suit. And remember you might have beentraining for harp. (8.40)603. ‒ That's wonderful (9.00)‒ Have you made up any more changes you want in this picture?‒ Plenty...604. ‒ I've always continued living up to my motto. (10.40)605. ‒ You'd better go in separate cars to break up the mops! Come on! (14.15)606. ‒ look at me! I have no fame I have no money, I have no mansions but I have... What haveI got...? (14.45)‒ I don't know but I have to get out of here.607.

‒ Mr. Lomond? Have a joyride? (16.03)‒ My car broke down and I've got surrounded by fans.608. ‒ It's 3 weeks ago. You're still thinking of it? (26.35)‒ Well I can't get it out of my mind.609. ‒ Honey, you look beautiful. (31.14)‒ Yes she looks great. Let's get into the set.610. ‒ Say everybody go home. We're down for a few weeks.‒ What?!611. ‒ Don! We're going to put best thing forward. We're going to put "Dueling Caballero" fortalking picture. (33.50)599.600.601.602.216612.

‒ Profit clean up Seem for Sound, even bigger for next season. (34.36)613. ‒ Gee. I'm glad you turned up. We've been looking inside every cake. (39.55)614. ‒ Oh, you read the "fan" magazine! (40.05)‒ Well i take them up in barber’s saloon and dentist's office.615. ‒ Bt the way, Roscoe! Do you know the scene coming up when I say "Imperious princessof the night"? (52.47)616.

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Семантика и прагматика фразовых глаголов английского языка (на материале кинотекстов)
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