Диссертация (1173520), страница 38
Текст из файла (страница 38)
‒ Bringing out new Fay Lawrence. What does he know about her anyway? (19.38)- So, your name will be put up on the board of honor.396. ‒ Get out! (25.10)‒ But... M‒r Farris...‒ Get out and stay out!397. ‒ I've got to rush now. Big deal is cooking I'll call you tomorrow and see what I can runout for you. (34.29)398. ‒ Tony, I'd like to take away from this place for a while. (35.05)399. ‒ That can be fixed up tony. She'd be happy to stuck up on over. (35.28)‒ You think she would?‒ Absolutely.
Every time she hears your name she gets sick.400. Ah, Tony, and I think, you'd better hold back the announcements before you talk back toFay. (36.10)401. ‒ Fay I have news for you, that can be a shock. (37.19)‒ What is it?‒ I can't go on with the show.‒ You WHAT?‒ It's a matter of fact, that my backer, who backed me, is run out of money and I am backed out!402. ‒ Hey, you never made the call. (38.38)‒ But I did!?‒ No. And you have two witnesses to back you up.403. ‒ Ah, that is all for my niece Jenny. Mr. Farris promised to get her in the show if i put upwith the money. (56.20)404.
‒ Sir, who are you? (1.05.05)‒ Just the producer of the show.‒ So, you're the scoundrel who put away my poor brother!‒ Jane, come down here at once!‒ Just a minute! We've signed a contract! You can't take them out of my show!405. ‒ if you take them away, I won't be able to produce the show! (1.05.28)406.
‒ When did it happen? (1.07.58)‒ This morning, when a man of Seattle called a door out of the show.407. ‒ What's with the play? (1.08.20)‒ I think it's going to pieces.‒ oh, I'll take it over.‒ What?You've heard. Take over the show!408.
‒ You can't leave the Boss here! (1.09.30)‒ why not? With him staying here and not mixing things up, I'll be able to do the whole dolemyself!409. ‒ No, no! Not the newspapers! (1.12.00)‒ That's why I'm here. To keep that out of newspapers.‒ That must be kept out!410. ‒ I don't know! it's against all my instincts! (1.13.10)‒ Oh, come on! Sit down, put you on and give us check and get us out of here!1944 ‒ A gaslight ‒ 1.49.05411.
‒ No? no? Paola! Don't look back! You have to forget everything that happened here.(2.27)207412. ‒ Will you let me meet some agoes to take away my pupil away from thee? (5.32)‒ Yes, yes...413. ‒ You're not English, are you? (8.50)‒ No, i was brought up out and my aunt lived in London.414. ‒ A famous singer Alice Alcott... Take another biscuit, dear! (9.54)‒ No thank you.‒ it was the most mysterious case. They never found out who killed her.415. ‒ What are you doing there my dear man? (15.24)‒ Turning on the warrant № 9, m'am.416. ‒ And don't you know what happened with another glove?‒ I asked her once but she would only laugh and say she'd given it away.
it must have been agreat admirer. (19.00)417. ‒ Well, how would it be if we took away all those things that remind you of her? Painting.All this furniture? Shut it away? (20.24)418. ‒ Look like a summer day. (25.52)‒ Because I'm happy. We're going out tonight and I'll show you London!419. ‒ Oh, it's you m'am? I never knew you'd gone out! (36.35)‒ I just went for a walk. But it looks as if rain.
i should take my umbrella.420. ‒ Now you see what I mean? Goes out, goes back, goes in! (37.14)421. ‒ I can put it down myself. (42.15)‒ Paula, we've had this subject out before. Please pull the bell colt.422. ‒ Come along, aunty dear! (46.44)423. ‒ And you thought I'm being cruel? (48.16)‒ No, not cruel!‒ Keeping people away from you...424. ‒ Lady Delray was very kind to me when i was small. And i must go. I must get out of thishouse.
(1.01.20)425. ‒I've got to get in that house, have I? (1.20.40)426. ‒ He goes out after dinner, ain't he? (1.20.44)‒ That's right sir.‒ Nancy is told not to let her mistress see anyone.427. ‒ There's never been light turned on. At last i ca tell it to someone. Every night when myhusband goes out... (1.25.20)428. ‒ No! He is going for me! He said I'm going out of my mind! (1.29.40)‒ You're not going out of your mind. You, slowly and systematically have been drive out if yourmind.429.
‒ Mr. Cameron! Come! Take this man away! Take this man away! (1.46.47)1945 ‒ Spellbound ‒ 1.51.09430. ‒ I find it ridiculous. (3.20)‒ What?‒ Psychoanalysis. It pulls me off.431. ‒ I see my sub consciousness, putting up a fight. He doesn't want me cured. (3.40)‒ Exactly.432. ‒ You're smiling at me. That lovely face of you doesn't take me in. (4.40)433. ‒ I'll always remember your cheerfulness today. As a lesson "How to accept reality" doctorMurchison. (7.50)‒ Don't be too taken in by my happy consigns.434. ‒ Your words are like some of my pet theories of psychoanalysis. (12.60)‒ If I were looking for that type of flirt, I would have long ago adored you.435.
‒ I think we'd better put him under drugs for a few days. He looks sedatived. (15.00)436. ‒ You're lovely. (24.00)208‒ Please, don't talk like that. Do you think I came in to hear that?‒ I know, why you came in.437. ‒ How is he? (26.14)‒ He's lost a lot of blood, but I think he'll pull through.‒ Pots?‒ 114 and it's going down.438. ‒ What happened? (35.10)‒ Nothing to be longed about.‒ Our Dr.
Edwards turned out to be a paranoid imposture. And he's very like to have guilt,murdered real Dr. Edwards. He's disappeared.‒ Oh, he's not in his room.‒ You left him in his room miss.?‒ Yes.‒ Did he say anything? About himself? About why he broke down?439. ‒ And you have no idea, about where how could go? (36.00)‒ No.‒ He may be hanging around. We have to go to the grounds first.440. ‒ The pill's good.
it takes away and I feel free. (39.20)441. ‒ Dark hair, rather raged face and brown eyes. one suitcase. (45.12)‒ I'll go and check on it.442. ‒ I won't let you be stupid about it. (44.10)‒ I couldn't bear it away from you.443. ‒ Can you remember her? (45.12)‒ Oh, I didn't say, I had one. I said, I probably had. No darling. Thanks heaven I can't rememberthe wife.‒ I'd like to ask you a medical question.‒ Would you mind not trotting me? It mixes me up.
I can't remember anything.444. ‒ You're much crazier than I. To do all that for a creature without a name. To run off with a... pair of initials. (47.29)445. ‒ Would you mind to let in? I left the supper on the table. (57.17)446. ‒ Hello. This is lieutenant Cooley. Any new developments. Well how did you find thatout? No... Right... I'll get down later. Goodbye. (58.39)447.
‒ I explained to the police. If Edwards took along... with him on the vocation of a paranoidpatient, he was a bigger fool than I ever knew, he was. (59.50)448. ‒ You carried that off like a greater gang man. (1.02.50)‒ I felt terribly stupid for a minute, but it turned out very well.449. ‒ Oh, my husband might have gone out very early this morning.
(1.12.00)‒ No, he isn't. He's there on the coach. He's sleeping well. My dear, do you think, old AlexBrawling, one of the biggest brains in psychiatry is unable to make out 2 and 2 come out4?450. ‒ And what if he killed Dr. Edwards? (1.15.50)‒ He didn't! He didn't!‒ But if it turns out he did?451.
‒ Just a few more days, before you turn him over. just a few more days! (1.17.20)452. ‒ I'll explain you about dreams, so you don't think that it is "hui". The secrets of who youare, what's made you run away from yourself, all these secrets are buried in your brain, butyou don't want to look into them. (1.21.10)453.
‒ So, your dreams. They tell you what you're trying to hide. but they tell you all mixed up.Like a puzzle that doesn't fit. The problem of analysis is to put these pieces together andfind out "what devil are you trying to tell yourself". (1.21.59)454. ‒ I can't make out what sort of place it was. (1.22.34)209455. ‒ It were the wings. The wings were chasing me and nearly were caught up with me whenI stepped out to the top of the hill. (1.25.10)456.
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