диссертация (1169290), страница 44
Текст из файла (страница 44)
– 1978. – N 19 (Dec.). – P. 17-20.142. Cantor, J. The Death of Che Gueavara / Jay Cantor. – New York : Alfred A.Knopf, 1983. – 578 p.143. Chanan, M. The Cuban Image: Cinema and Cultural Politics in Cuba / MichaelChanan. – Bloomington: Indiana University Press, 1985. – 314 p.144. Chanan, M. Cuban Images: Some Notes / Michael Chanan // Framework. –1979. – N 10 (Spring). – P. 19–22.145.
De Palma А. The Man Who Invented Fidel: Castro, Cuba, and Herbert L.Matthews of The New York Times / Anthony De Palma. – New York:PublicAffairs, 2006. – 308 p.146. Dilla, H. Participación popular y desarrollo en los municipios cubanos /Haroldo Dilla, Gerardo González and Ana T. Vincentelli. – La Habana : Centrode Estudios sobre América (CEA), 1993. – P. 135–147.147. Draper, T.
Castro's Revolution. Myths and Realities / Theodore Draper. – NewYork: Frederick A. Praeger, 1962. – 211 p.148. Draper, T. Castroism: Theory and Practice / Theodore Draper. – New York:Frederick A. Praeger, 1965. – 263 p.149. Dyserinck, H. Zum problem der «images» und «mirages» und ihreruntersuchung im rahmen der vergleichenden literaturwissenschaft /Hugo Dyserinck // Arcadia. – 1966. – N 1. – S. 107–120.150. Dyserink, H. Komparatistik: Eine Einfuhrung / Hugo Dyserinck. – Bonn:Bouvier, 1991. – 234 s.151. Ferguson, R.J. The Transnational Politics of Cuban Music and Cuban Culture[Electronic resource] / R. James Ferguson // The Culture Mandala.
– 2003. –Vol. 6, N 1. – Mode of access: http://www.international-relations.com/wbcm61/WBCubanMusic.htm.152. Ferlinghetti, L. One Thousand Fearful Words for Fidel Castro / LawrenceFerlinghetti . – San Francisco: City Lights Books, 1961.196153. Fontova, H. Fidel: Hollywood's Favorite Tyrant / Humberto Fontova. –Washington DC: Regnery Publishing, 2005. – 256 p.154. Fontova, H. Exposing the Real Che Guevara. And the Useful Idiots WhoIdolize Him / Humberto Fontova. – New York: Sentinel, 2007. – 224 p.155. Gerbner, G. Mass Media and Human Communication Theory / G.
Gerbner //Sociology of Mass Communications. / Ed.: D. McQuail – Harmondsworth:Penguin, 1972. – P. 35–58.156. Gidding, G. A Soviet Guide To Cuba / G. Gidding // The New York Sun. –2007. – November 20.157. Glucksberg, S. Inhibition of the Literal: Filtering metaphor-irrelevantinformation during metaphor comprehension / Sam Glucksberg, MaryR. Newsome, Yevgeniya Goldvarg // Metaphor and Symbol. – 2001.
– N 16. –P. 277–293.158. González, A.P. La prensa y la opinión pública norteamericana hacia AméricaLatina / Alfredo Prieto González // Cuadernos de Nuestra América. – 1989. –Vol. 6, N 12.159. González, A.P. La conexión cubana / Alfredo Prieto González // Cuadernos deNuestra América. –1990. – Vol. 7, N 15.160. González, A.P. Made in America: la imagen de Cuba en el exterior / AlfredoPrieto González // Cuba en las Américas. Una perspectiva sobre Cuba y losproblemas hemisféricos / Rafael Hernández, coord. – La Habana : Centro deEstudios sobre América, 1995. – P.
7–14.161. González, E. Cuba and the Tempest. Literature and Cinema in the Time ofDiaspora / Eduardo González. – Chapel Hill: University of North CarolinaPress, 2006. – 246 p.162. Halperin, M. Culture and Revolution. The Rise and Decline of Fidel Castro /Maurice Halperin. – Berkeley: University of California Press, 1972.
– P. 347–361.197163. Hart Dávalos, A. Adelante el Arte : Palabras pronunciadas en el II, III y IVcongreso de la UNEAC / Armando Hart Dávalos. – La Habana: Editorial LetrasCubanas, 1988. – 69 p.164. Herman, E. Manufacturing consent.
The political economy of the mass media. /E. Herman, N. Chomsky. – New York: Pantheon Books, 1988. – 395 p.165. Hernández, R. Mirar a Cuba / Rafael Hernández // La Gaceta de Cuba. – 1993.– N 3.166. Huberman, L. Cuba: Anatomy of a revolution / Leo Huberman, Paul M.Sweezy. – New York: Monthly Review Press, 1960. – 176 p.167. James, D. Che Guevara. A biography / Daniel James.
– London: George Allenand Unwin, 1970. – 380 p.168. Jervis, R. Perception and Misperception in International Politics / Robert Jervis.– Princeton, NJ: Princeton University Press, 1976. – 464 p.169. Jones, K. Poets of a New Style of Speak: Cuban Artists of this Generation /Kellie Jones // The Nearest Edge of the World: Art and Cuba Now. – Brookline,MA: Polarities, 1990. – P. 12–17.170. Kirk, J.M. Culture and the Cuban Revolution: Conversations in Havana / JohnM.
Kirk, Leonardo Padura Fuentes. – Gainesville, FL.: University Press ofFlorida, 2001. – 216 p.171. Kluckhohn, F.R. Variation in Value Orientations / F.R. Kluckhohn,F.L. Strodtbeck. – Evanston, IL; Elmsford, NY: Row, Peterson and Company,1961. – 437 p.172. Lamazares, A. Cuban art under late socialism: Contested spaces, revolutionaryaesthetics, and the creation of a new art market : dissertation / AlexanderLamazares. – State University Of New York At Albany, 2008.
– 293 p.173. López, L.M. No soy Cuba / Luis M. López // Bohemia, Havana. – 1964. –January 21.174. Landau, S. US Media Images of Postrevolutionary Cuba: Shaped byGovernment Policy and Commercial Grammar / Saul Landau // Latin AmericanPerspectives. – 2006. –Vol. 33(150), N 5 (Sep.).
– P. 118-127.198175. Langley, W. Che Guevara: First he took Havana, now he’s conqueredHollywood / W. Langley // The Telegraph. – 2008. – Dec. 27.176. MacGaffey, W. Cuba: its people, its society, its culture / Wyatt MacGaffey,Clifford R. Barnett. – New Haven: HRAF Press, 1962. – 392 p.177. Manuel, P.L. Salsa and the Music Industry / Peter L. Manuel // Essays on CubanMusic: North American and Cuban Perspectives / Ed. Peter Manuel.
– LanhamMD: University Press of America, 1991. – P. 157–180.178. McLuhan, M. Myth and Mass Media / Marshall McLuhan // Daedalus. – 1959. –Vol. 88, N 2. – P. 339-348.179. Matthews, H.L. Castro: A political biography / Herbert L. Matthews. – London:Allen Lane The Penguin Press, 1969. – 325 p.180. Miller, N. Revolutionary Modernity: The Cultural Policy of the CubanRevolution / Nicola Miller // Journal of Latin American Studies.
– 2008. – Vol.40, Special Issue 04 (Nov.). – P. 675-696.181. Miller, T. Trading with the Enemy: A Yankee Travels Through Castro's Cuba /Tom Miller. – New York: Atheneum, 1992. – 353 p.182. Mio, J. S. Metaphor and Politics / Jeffery Scott Mio // Metaphor and Symbol. –1997. – N 12(2). – P. 113–133.183. Moore, R.D. Music and Revolution. Cultural Change in Socialist Cuba / RobinD.
Moore. – Berkeley: University of California Press, 2006.184. Myerson, M. Memories of Underdevelopment: the Revolutionary Films of Cuba/ Michael Myerson. – New York: Grossman Publishers, 1973. – 199 p.185. North, J. Cuba: hope of a hemisphere / Joseph North. – New York: InternationalPublishers, 1961. – 95 p.186. de la Nuez, I. Arte en Miami. Un boom de los 90. Redefiniciones de los 90 /Ivan de la Nuez // Lapiz : Revista Internacional de Arte. – 1996.
– N 127. – P.16–27.187. Obejas, A. Ruins / Achy Obejas. – New York: Akashic Books, 2009. – 205 p.188. Obejas, A. Days of Awe / Achy Obejas. – New York: Ballantine Books, 2001. –371 p.199189. Oppenheimer, A. Castro's final hour: the secret story behind the comingdownfall of communist Cuba / Andres Oppenheimer. – New York: Simon andSchuster, 1992. – 461 p.190. Pageaux, D.-H. Une perspective d’études en littérature comparée : l’imagerieculturelle / D.-H. Pageaux // Synthèsis. – 1981.
– N 8. – Р. 169–185.191. Pageaux, D.-H. L’imagerie culturelle: de la littérature comparée àl’anthropologie culturelle / D.-H. Pageaux // Synthèsis. – 1983. – N 10. – Р. 79–88.192. Pageaux, D.-Y. De l’imagerie culturelle à l’imaginaire / D.-H. Pageaux // Précisde littérature comparée. – Paris : PUF, 1989. – P. 139-140.193.
Perez, L.A. Jr. On Becoming Cuban. Identity, Nationality, and Culture / LouisA. Perez Jr. – Chapel Hill: University of North Carolina Press, 1999. – 579 p.194. Perez, L.A. Jr. Cuba in the American Imagination: Metaphor and the ImperialEthos / Louis A. Perez Jr. – Chapel Hill: University of North Carolina Press,2008. – 333 p.195. Sjoberg, G.
Comparative Method in the Social Sciences // Philosophy ofScience. – 1955. – Vol. 22(2). – P. 106-117.196. Smith, B.L. Propaganda, Communication, and Public Opinion / B.L. Smith,H.D. Lasswell, R.D. Casey. – Princeton: Princeton University Press, 1946. –435 p.197. Stermer, D.
The art of revolution: Castro's Cuba, 1959-1970 / Dugald Stermer ;Susan Sontag [Introd.]. – New York: McGraw-Hill, 1970. – 97 p.198. Stimson, F.S. Cuba's romantic poet; the story of Plácido / Frederick S.Stimson. – Chapel Hill: University of North Carolina Press, 1964. – 150 p.199. Stock, A.M. On Location in Cuba. Street Filmmaking during Times ofTransition / Ann Marie Stock.