Диссертация (1168630), страница 22
Текст из файла (страница 22)
– 108p.132. Jeffrey A. Allen's Secrets of Singing. – Miami: Warner Brothers Publications,1994. – 392p.133. Labouff K. Singing and Communicating in English: A Singer's Guide toEnglish Diction. – NY: Oxford University Press, 2007. – 346p.134. Ley A. Sounds of Singing: Teacher's Book. – London: Nelson Thornes Ltd.,2003. – 144p.135. Linklater K. Freeing the Natural Voice: Imagery and Art in the Practice ofVoice and Language.
– London: Drama Publishers, 2006. – 381p.136. Martin B. Pro Secrets of Heavy Rock Singing. – London: SanctuaryPublishing Ltd., 2002. – 94p.138137. Mazer S. Harmony Singing: A Guide to Creative Harmony & Arranging. –NY: Alfred Music Publishing, 2002. – 96p.138. McDonald B. A Cappella Pop: A Complete Guide to Contemporary ACappella Singing. – NY: Alfred Music Publishing, 2012. – 204p.139. McKinney J. C. The Diagnosis & Correction of Vocals Faults: A manual forTeachers of Singing and for Choir Directors.
– Route: Waveland Press, 2005. –213p.140. Miller M. The Complete Idiot's Guide to Singing. – NY: Alpha, 2003. – 272p.141. Mithen S. The Singing Neanderthals: The Origins of Music, Language, Mind,and Body. – NY: Phoenix, 2007. – 384p.142. Murray D. Vocal Strength and Power: Boost Your Singing with ProperTechnique and Breathing. – NY: Hal Leonard Corporation, 2009.
– 72p.143. Paton J. G. Foundations in Singing: A Guide to Vocal Technique and SongInterpretation. – NY: McGraw-Hill Humanities Social, 2006. – 320p.144. Peckham A. Singer's Handbook: A Total Vocal Workout in One Hour or Less.– Boston: Berklee Press, 2004. – 40p.145. Pegler, H. It's Never Too Late to Sing: The Beginner Singing Method. – NY:Alfred Music Publishing, 2011. – 4p.146. Pinksterboer, H. Vocals: The Singing Voice. – Milwaukee: The TipbookCompany, 2003. – 156p.147. Potter, J.
Vocal Authority: Singing Style and Ideology. – NY: CambridgeUniversity Press, 1998. – 236p.148. Rendleman, M. Singing Your Way to Stardom: A Blueprint for Success in theMusic Industry. – Oklahoma: Tate Publishing, 2011. – 224p.149. Rose, B. Contemporary Singing Techniques. – NY: Hal Leonard, 2009.
–112p.150. Sabine, E. Strengthen Your Singing Voice. – NY: Artistpro, 2004. – 98p.151. Sadolin, C. Complete Vocal Technique. – Copenhagen: Shout Publications,2000. – 255p.139152. Shakespeare, W. The Art of Singing. – Pennsylvania: Theodore PresserCompany, 1910. – 201p.153. Silverman, J. How to Sing Higher and Lower. – NY: Saw Mill Music Corp.,1983.
– 85p.154.Sinatra, F. Tips of Popular Singing. – NY: Embassy Music Corporation, 1941.– 33p.155.Schmidt, E. All about Singing. – NY: Leonard Corporation, 2011. – 234p.156.Stoloff, B. Scat: Vocal Improvisation Techniques. – NY: Music SalesAmerica, 1998. – 128p.157.Stoloff, B. Blues Scatitudes: Vocal Improvisations of the Blues.
– NY: Gerard& Sarzin Publishing, 2003. – 80p.158.Stone, J. В. You Can Sing. – NY: Amsco Publications, 1995. – 80p.159.Surmani, K. F. Teach Yourself to Sing. – NY: Alfred Music, 1995. – 64p.160. Tosi, P.F. Opinioni de'cantori antichi e moderni, o sieno osservazioni, sopra ilcanto figurato / P.F. Tosi. — Bologna: Forni, 1723.
— 118 p. — Цит по:Мазурин, К.М. Методология пения. Том 1 / К.М. Мазурин. — М.:Товарищество скоропеч. А.А. Левенсон, 1902–1903. — С. 107–187.161.Vaccaj, N. Metodo Pratico di Canto Italiano da Camera. – Milano: Ricordi,1984. – 10p.162.Ware, C. Adventures in Singing: A Process for Exploring, Discovering, andDeveloping.
– NY: Social Sciences, 2006. – 350p.163.Ware, C. Basics of Vocal Pedagogy: The Foundations and Process of Singing.– NY: McGraw-Hill Humanities, 1997. – 320p.164.Zemlin, W. R. Speech and Hearing Science. Anatomy and Physiology. – NY:Stipes Pub Ltd., 1997. – 308p.140Приложение 1ТВОРЧЕСКИЕ ВЫСТУПЛЕНИЯ ИДОСТИЖЕНИЯ АСПИРАНТА КАФЕДРЫМУЗЫКАЛЬНОГО ИСКУССТВАИНСТИТУТА КУЛЬТУРЫ И ИСКУССТВГАОУ ВО города МОСКВЫ«МОСКОВСКИЙ ГОРОДСКОЙПЕДАГОГИЧЕСКИЙ УНИВЕРСИТЕТ»ЦУЙ ЯНЬТАОНА МЕЖДУНАРОДНЫХ ВОКАЛЬНЫХКОНКУРСАХ И ФЕСТИВАЛЯХ141142143144145146147148149150151152153154155156157158.