Диссертация (1098185), страница 85
Текст из файла (страница 85)
Mirsky // Perspectives in Biology and Medicine. – 2006. – № 49.4. – Pp. 628630.246.Modern Confessional Writing. New critical essays / Ed by J. Gill. –London and New York: Routledge, 2006. – 196 p.247.Morrison, J. Contemporary Fiction / J. Morrison. – London and New York:Routledge, 2003. – 272 p.248.Moseley, M. Understanding Julian Barnes / M. Moseley. – South Carolina:University of South Carolina Press, 1997. – 200 p.382249.Murdoch, I. Existentialist Political Myth / I.
Murdoch; ed. by P. Conradi //Existentialists and Mystics: Writing on Philosophy and Literature. – New York:Penguin, 1999. – 576 p. – Pp. 261-286.250.Murdoch, I. The Sublime and the Beautiful Revisited / I. Murdoch; ed. byP. Conradi // Existentialists and Mystics: Writing on Philosophy and Literature.
–New York: Penguin, 1999. – 576 p. – Pp. 268-269.251.Murdoch, I. Vision and Choice in Morality / I. Murdoch; ed. by P. Conradi// Existentialists and Mystics: Writing on Philosophy and Literature. – New York:Penguin, 1999. – 576 p. – Pp. 92-96.252.Nash, C. The Unraveling of the Postmodern Mind / C. Nash. – Edinburgh:Edinburgh University Press, 2001. – 310 p.253.Newton, A. Z.
Narrative Ethics / A. Z. Newton. – Cambridge, MA:Harvard University Press, 1997. – 382 p.254.Nünning, A. ‗Unreliable Narration‘ zur Einfuehrung / A. Nünning; ass. eds.C. Suhrkamp, B. Zerweck // Unreliable Narration: Studien zur Theorie und Praxisunglaubwürdigen Erzählens in der englischsprachigen Erzählliteratur.
– Trier:Wissenschaftlicher Verlag Trier, 1998. – 302 p. – Pp. 3-39.255.Nunning, V. The Lack of a Stable Framework in Saturday and Arthur andGeorge / V. Nunning; ed. by S. Onega, J-M. Ganteau // The Ethical Componentin Experimental British Fiction since the 1960‘s. – London: Cambridge ScholarPublishing, 2007. – 270 p. – Pp. 210-231.256.Ochsner, A. Lad Trouble: Masculinity and Identity in the British MaleConfessional Novel of the 1990s / A.
Ochsner. – Bielefeld: Transcript, 2009. –388 p.257.Olney, J. Autobiography: Essays Theoretical and Critical / J. Olney. –Princeton: Princeton University Press, 1980. – 376 p.258.Olney, J. Memory and Narrative: The weave of life-writing / J. Olney. –Chicago: University of Chicago Press, 1998. – 430 p.259.Olson, G. Reconsidering Unreliability: fallible and untrustworthy narrators/ G. Olson // Narrative. – 2003. – Vol.
11. – № 1. – Pp. 93-105.383260.Onega, S. Self, World, and Art in the Fiction of John Fowles / S. Onega //Twentieth Century Literature. – 1996. – Vol. 42. – № 1. – Pp. 29-56.261.Park, S. John Fowles, Daniel Martin, and Simon Wolfe / S. Park // ModernFiction Studies. – 1985. – Vol. 31. – № 1.
– Pp. 165-172.262.Pascal, R. Design and Truth in Autobiography / R. Pascal. – HarvardUniversity Press, 1960. – 202 p.263.Pateman, M. Julian Barnes: Writers and Their Work / M. Pateman. –Tavistock: Northcote House, 2002. – 90 p.264.Patey, C. When Ishiguro Visits the West Country: An Essay on TheRemains of the Day / C. Patey // Acme.
– 1991. – № 44. – Pp. 139-143.265.Pathologies of the Self: Postmodern Studies on Narcissism, Schizophrenia,and Depression / Ed. by D. M. Levin. – NY and London: New York UniversityPress, 1987. – 548 p.266.Peters, S. York Notes Advanced: The Remains of the Day / S. Peters. –London: York Press, 2000. – 120 p.267.Petry, M. Narratives of Memory and Identity: The Novels of KazuoIshiguro / M. Petry. – Frankfurt: Peter Lang, 1999. – 174 p.268.Phelan, J. Living to Tell about It.
A Rhetoric and Ethics of CharacterNarration / J. Phelan. – Ithaca: Cornell University Press, 2005. – 256 p.269.Phelan, J. Wayne C. Booth, Unreliable Narration, and the Ethics of Lolita /J. Phelan // Narrative. – 2007. – Vol. 15. – № 2. – Pp. 222-238.270.Phillips, R. The Confessional Poets / R. Phillips. – Southern Illinois:Southern Illinois University Press, 1973.
–173 p.271.Porter, J. C. Rembrandt and His Circles: More About the Late Self-Portraitin Kenwood House / J. C. Porter; ed. by R. E. Fleischer, S.S. Munshower,S.C. Scott // The Age of Rembrandt: Studies in Seventeenth-Century DutchPainting. – Pennsylvania: Penn State Press, 1988. – 245 p. Pp. 189-202.272.Porter, R. London: A Social History / R. Porter. – London: HamishHamilton, 1994. – 560 p.384273.Powell, N.
Amis & Son. Two literary generations / N. Powell. – London:Macmillan, 2008. – 424 p.274.Prolegomena tot een Motivenstudie / Ed. by M. Vanhelleputte, L. Somville.– Brussels: Verje Universiteit, 1984. – 149 p.275.Rabinowitz, P. Truth in Fiction: A Reexamination of Audiences /P. Rabinowitz // Critical Inquiry. – 1977. – № 4. – Pp. 121-141.276.Radstone, S. Cultures of Confession / S. Radstone; ed.
by J. Gill // Culturesof testimony: turning the subject inside out. Modern Confessional Writing. Newcritical essays. – London and New York: Routledge, 2006. – 196 p. Pp. 166-180.277.Radstone, S. The Sexual Politics of Time: Confession, Nostalgia, Memory /S. Radstone. – London and New York: Routledge, 2007. – 264 p.278.Rank, O. The Double: Psychoanalytical Study / O. Rank.
– Chapel Hill:University of North Carolina Press, 1971. – 88 p.279.Rawson, C. The Cambridge Companion to English Poets / C. Rawson. –Cambridge: Cambridge University Press, 2011. – 580 p.280.Reik, Th. The Compulsion to Confess / Th. Reik // The Compulsion toConfess. On the Psychanalysis of Crime and Punishment. – New York: GrovePress, 1961. – 493 p.
– Pp. 176-356.281.Riggan, W. Pícaros, Madmen, Naïfs, and Clowns: The Unreliable First-person Narrator / W. Riggan. – Norman: University of Oklahoma Press, 1981. –206 p.282.Rimmon-Kenan, S. Narrative Fiction. Contemporary Poetics / S. Rimmon-Kenan. – London and New York: Methuen, 1986. – 173 p.283.Robinson, R. The Modernism of Ian McEwan‘s «Atonement» /R. Robinson // Modern Fiction Studies. – 2010. – Vol. 56. – № 3. – Pp.
273-495.284.Rogers, R. A Psychoanalytical Study of the Double in Literature /R. Rogers. – Detroit: Wayne State University Press, 1970. – 192 p.285.Rosenthal, M. Poetry as Confession / M. Rosenthal // The Nation 189,1953. – Pp. 154-155.385286.Roskill, S. W. The war at sea, 1939-1945 / S. W.
Roskill. – London: HerMajesty's stationery office, 1954-1961. – Vol. 1. – 664 p.287.Rubinson, G. Fiction of Rushdie, Barnes, Winterson and Carter: BreakingCultural and Literary Boundaries in the Work of Four Postmodernists /G. Rubinson. – Jefferson: McFarland, 2005. – 228 p.288.Ryan, K. Ian McEwan / K. Ryan. – Plymouth: Northcote House.
BritishCouncil, 1994. – 72 p.289.Schemberg, Cl. Achieving ‗At-one-ment‘: Storytelling and the Concept ofthe Self in Ian McEwan‘s «The Child in Time», «Black Dogs», «Enduring Love»and «Atonement» / Cl. Schemberg. – Frankfurt: Peter Lang, 2004. – 106 p.290.Schmid, A. The Fear of the Other: Approaches to English Stories of theDouble (1764-1910) / A. Schmid.
– Bern: Peter Lang, 1996. – 265 p.291.Scholes, R. Fabulation and Metafiction / R. Scholes. – Urbana: Universityof Illinois Press, 1979. – 222 p.292.Schrag, C. O. The Self After Postmodernity / C. O. Schrag. – New Haven& London: Yale University Press, 1997.
– 176 p.293.Schwenger, P. Writing the unthinkable / P. Schwenger // Critical Inquiry. –1986. – № 13. – Pp. 33-48.294.Shaffer, B. W. Reading the Novel in English 1950-2000 / B. W. Shaffer. –Malden, MA and Oxford: Blackwell Publishing, 2006. – 276 p.295.Shaffer, Br.
Understanding Kazuo Ishiguro / Br. Shaffer. – Columbia:University of South Carolina Press, 1998. – 141 p.296.Show, D. «In Memoriam» and the Rhetoric of confession / D. Show //English Literary History. – 1971. – Vol. 38. – № 1. – Pp. 80-103.297.Sicher, E. The Holocaust novel / E. Sicher. – New York and London:Routledge, 2005. – 296 p.298.Slay, J. Ian McEwan / J. Slay. – New York: Twayne Publishers, 1996. –184 p.299.Slethaug, G. E. The Play of the Double in Postmodern American Fiction /G.
E. Slethaug. – Carbondale: Southern Illinois University Press, 1993. – 248 p.386300.Smyth, E. Postmodernism and Contemporary Fiction / E. Smyth. –London: Batsford, 1991. – 224 p.301.Spengemann, W. The Forms of Autobiography: Episodes in the History ofa Literary Genre / W. Spengemann. – New Haven: Yale University Press, 1982. –271 p.302.Stanzel, F. K.
Theorie des Erzaehlens / F. K. Stanzel. – UTB, Stuttgart;Auflage: 8. Aufl., 2008. – 339 p.303.Starobinsky, J. Jean-Jacques Rousseau: la transparence et l‘obstacle /J. Starobinsky. – Paris: Gallimard, 1971. – 457 p.304.Stelzig, E. L. Poetry and Truth: An Essay on the Confessional Imagination/ E. L. Stelzig. – University of Toronto Quarterly. – 1984. – № 54.
Pp. 17-37.305.Stevenson, R. The Oxford English Literary History: Volume 12: 1960-2000: The Last of England / R. Stevenson. – Oxford: Oxford University Press,2004. – 644 p.306.Stonehill, B. The Self-conscious novel. Artifice in Fiction from Joyce toPynchon / B. Stonehill. – Philadelphia: University of Pennsylvania Press, 1988. –221 p.307.Taylor, D. J. A Vain Conceit. British Fiction in the 1980s / D. J. Taylor. –London: Bloomsbury Publishing, 1989. – 128 p.308.Taylor, D. J. After the War: The Novel and English Society since 1945 /D.
J. Taylor. – London: Chatto & Windus, 1993. – 310 p.309.Tew, Ph. The Contemporary British Novel / Ph. Tew. – London:Continuum, 2004. – 224 p.310.The Cambridge Companion to Postmodernism. / Ed. by S. Connor. –Cambridge: Cambridge University Press, 2004. – 254 p.311.The Contemporary British Novel / Ed. by J. Acheson, S. Ross.
![](https://s.studizba.com/z.php?f=/templates/si/i/noavatar.png&w=100&h=100&t=1"){kind=avatar}
