43016 (Text analysis in translation), страница 7

2. “Intratextual Factors in Translation Text Analysis”

Lecture 1. Basic notions

It is the verbal elements (lexis, sentence structure and the suprasegmental features, i.e. the "tone" of the text) which are most important for conveying the message. In both written and spoken texts suprasegmental features serve to highlight or focus certain parts of the text and to push others into the background. All these elements have not only an informative (i.e. denotative), but also a stylistic (i.e. con-notative) function.

The intratextual features are influenced to a large extent by situational factors (e.g. the geographical origin of the sender, the special requirements of the chosen medium, the conditions of the time and place of text production, etc.), but they can also be determined by genre conventions or by the sender's specific communicative intention, which affects the choice of the intratextual means of communication. We also have to account for the fact that stylistic decisions are frequently interdependent. If, for example, the sender decides on a nominal style in the area of lexis, this will naturally affect the choice of sentence structure.

We distinguish eight intratextual factors: subject matter, content, presuppositions, composition, nonverbal elements, lexis, sentence structure, and suprasegmental features. In practical analysis it has proved effective to deal with the factors in the order in which they appear here. However, there is no real reason why this cannot be changed, since the principle of recursiveness again allows any feedback loops which may be deemed necessary.

In the practical application of the model it may not always be necessary to go through the whole process of intratextual analysis step by step. Some translation briefs will be such that merely a cursory glance at the intratextual features is sufficient (just to find out, for example, whether or not the framing of the text corresponds to genre conventions), whereas others may require a detailed analysis right down to the level of morphemes or phonemes.

Example

If a strongly conventionalized text, such as a weather report, has to be translated in such a form that the target text conforms to the target-culture conventions of the text type, there is no need to analyse all the intratextual details of the source text, once it has been stated that they are "conventional". Since the intratextual framing of the TT has to be adapted to TC conventions anyway, the intratextual framing of the ST may be regarded as irrelevant for translation.

When we analyse the linguistic features of a particular text, we soon realize that they all have to be evaluated in a different way, depending on the function they have in the text. There are features that depend on situational conditions which cannot be controlled or modified by the sender (e.g. pragmatics of time and space, geographical or socio-cultural background of the sender himself) or features that may have been determined by a decision taken prior to text production (e.g. choice of medium or addressee orientation). Then, there are other features which are dictated by social norms (e.g. text-type or genre conventions and so on). During the process of analysis, therefore, the translator constantly has to go back to factors which have already been analysed (= principle of recursiveness). Lastly, there is a type of feature which depends on the sender deciding on one out of several alternative means of expression, a decision determined by the intention to produce a certain effect on the receiver.

General considerations on the concept of style

In order to be able to understand a stylistic signal or sign, the receiver has to be equipped, like the sender, with a knowledge or command of stylistic patterns and of the functions that they are normally used for. This knowledge is part of text competence and will enable the receiver to infer the intentions or attitudes of the sender from the style presented in the text. It is based on the fact that most communicative actions are conventionalized and that text producers almost always proceed according to a given pattern. In ordinary communication an intuitive, unconscious, or "passive" knowledge of stylistic patterns will be more than sufficient to ensure the comprehension of the text. However, the receiver/translator cannot manage without an active command of such patterns of expression both in SL and TL, since it enables them to analyse the function of the stylistic elements used in the source text, and to decide which of these elements may be appropriate for achieving the target function and which have to be changed or adapted.

Subject matter

How to obtain information about the subject matter

As was mentioned above, the conventions of certain text types seem to dictate that the title or heading or the title context (comprising main title, subtitle(s) and the like) represent a kind of thematic programme. An example of this is the following title of a linguistic article: "Understanding what is meant from what is said: a study in conversationally conveyed requests" (Clark & Lucy 1975).

Where the information is not given by a thematic title like this, the subject matter of a text can be formulated in an introductory lead, as is very often the case, for example, in newspaper articles (cf. Liiger 1977: 49ff.) or in the first sentence or paragraph which can then be regarded as a kind of "topic sentence" paraphrasing the thematic essence of the text.

Example

The Soviet Disunion

UNITED IT STANDS ...DIVIDED IT FALLS

While 1989 was the year of eastern Europe, 1990 may be the year of the Soviet Union. Confronted by growing nationalist unrest and economic mayhem, the empire is beginning to come apart at the seams. James Blitz in Moscow reports on the crisis in the Kremlin (...). (The Sunday Times, 1 January 1990, p. A l.)

Example

Title: Ford Is Rebuffed By Mazda Sub-title: No Chance Seen For Larger Stake

TOKYO - Mazda Motor Corp. said Monday that it saw no opportunity for Ford Motor Co. to enlarge its stake in the Japanese company and that Mazda had no plans to raise funds by issuing new shares, warrant bonds or convertibles. (...) (InternationalHerald Tribune, 9 January, 1990, p. 9)

This applies not only to titles which are a shortened paraphrase of the text, but also to descriptive titles, e.g. of literary works.

Example

The original title El sigh de las luces ("The Age of Enlightenment") indicates the subject matter of the novel, while the titles of the English and the German translation (Explosion in A Cathedral Explosion in der Kathedrale) use the name of a picture that plays a symbolic part in the story. The reader, however, cannot recognize it as such and will probably interpret it as an indication of the subject matter or content. This may lead to a (wrong) classification of the book as a kind of thriller.

If the subject matter is not described in the title or title-context, it can be elicited by reducing the textual macro-structures to certain basic semantic propositions or information units, which constitute a kind of resume or "condensation" of the text. Occasionally, the translator is even asked to produce a short version of the text (i.e. a summary, abstract, or resume) in the target language. In translation teaching, the production of summaries can be used for checking text comprehension.

Condensing and summarizing, however, does not in all texts lead to an elicitation of the real subject matter, since in some cases this is obscured by a "false" subject occupying the foreground of the text. In these cases it is the analysis of other intratextual factors, mainly of lexis, which may lead to success.

The crucial concept in the analysis of the subject matter at the level of lexical items is that of isotopy. Isotopic features are semes shared by various lexical items in a text, thus interconnecting the lexical items and forming a kind of chain or line of isotopies throughout the text. The lexical items linked by isotopy are referred to as the "isotopic level", which may indicate the subject matter(s) of the text. There can be various isotopic levels in a text, either complementing each other or hierarchically subordinate to one another.

Checklist

The following questions may help to find out the relevant information about the subject matter of the text:

1. Is the source text a thematically coherent single text or a text combination?

2. What is the subject matter of the text (or of each component of the combination)? Is there a hierarchy of compatible subjects?

3. Does the subject matter elicited by internal analysis correspond to the expectation built up by external analysis?

4. Is the subject matter verbalized in the text (e.g. in a topic sentence at the beginning of the text) or in the text environment (title, heading, sub-title, introduction, etc.)?

5. Is the subject matter bound to a particular (SL, TL, or other) cultural context?

6. Do the TC conventions dictate that the subject matter of the text should be verbalized somewhere inside or outside the text?

Content

General considerations

Where the translator has a good command of the source language and is fully conversant with the rules and norms governing text production, s/he will usually have little or no difficulty in determining the content of a text. Even so, it would still be useful to have some means of checking this intuitive understanding. It would be even more useful, of course, to have some guidelines available in translator training, where competence in this area is still inadequate.

Paraphrase as a procedure for content analysis

By "content" we usually mean the reference of the text to objects and phenomena in an extralinguistic reality, which could as easily be a fictitious world as the real world. This reference is expressed mainly by the semantic information contained in the lexical and grammatical structures (e.g. words and phrases, sentence patterns, tense, mood, etc.) used in the text. These structures complement each other, reduce each other's ambiguity, and together form a coherent context.

Therefore, the starting point for the analysis of content has to be the information carried by the text elements linked on the surface of the text by the text-linguistic linking devices, such as logical connections, topic-comment relationships, functional sentence perspective, etc.

Since at this stage the external analysis of the communicative situation has been completed, the meaning of the text can be elicited, as it were, "through the filter" of extratextual knowledge.

Analysing the content of syntactically or semantically complicated texts can be made easier by a simplifying paraphrase of the information units, which can be formulated independently of the sentence structure. However, in so far as they are explicitly verbalized in the text, the logical relationships between these units should be noted. This procedure permits the translator to identify (and possibly compensate for) presuppositions, and even defects in coherence, which frequently occur in texts.

These paraphrases have to be treated with great caution, however. The paraphrased information units form a new text which is in no way identical to the original. Paraphrases can only be used in order to simplify text structures, making them more transparent. When paraphrasing lexical items we also have to take account of the connotative content, which has to be preserved, or at least marked, in the paraphrased text.

In any case, it must not be the simplified paraphrase which should be taken as a starting point for translation, but the original source text.

Connotations

The amount of information verbalized in a text includes not only denotative but also connotative (or "secondary") meaning, i.e. the information expressed by a language element by virtue of its affiliation to a certain linguistic code (stylistic levels, registers, functional style, regional and social dialects, etc.). By selecting one specific element in preference to another from a number of possible elements the author assigns a secondary meaning to the text. Since the connotative meaning can only be analysed in detail in connection with the stylistic values of lexis, sentence structure and suprasegmental features, I would recommend at this stage of the analysis provisionally marking those text elements which can be intuitively classified as "probably connotative". The extratextual category of text function often provides a certain expectation here.

Example

Kate Saunders in The Sunday Times, 7 January 1990: Career woman - or just the little woman?

Chic dinner tables are resounding with funereal orations over the twitching corpse of the women's movement - they come to bury it, certainly not to praise it. It was so selfish, so uncaring, so unnatural - surely home-building is nicer and more fulfilling than hacking through the professional jungle? The Eighties' ideal was the woman who ran a business, made breakfast appointments with her own husband, and spent 20 minutes' "quality time" a day with her children. But women are wondering now whether the effort of juggling home and career was worthwhile. All you got for your pains was nervous exhaustion, and kids who spoke Icelandic because they were brought up by the au pair. How much simpler to give up the struggle and devote yourself to stoking the home fires. Part of the problem seems to be that women are discovering the real snag about equality - work is a pain. Any man could have told them this. (...)

Certain connotations are a part of every speaker's communicative knowledge whether they speak the standard language or a particular regional and/or social dialect. They are linked so closely to a lexical item that they would be specified in the dictionary (e.g. kid is marked "slang" in OALD 1963, and "informal" in OALD 1989, whereas snag is marked "colloquial" in OALD 1963 and not marked at all in OALD 1989). Connotations such as these, even though they may change in the course of time, must be considered to be part of the "linguistic competence" of sender and receiver. Other connotations, however, are merely valid for certain persons, since they can only "work" if the participants know particular social, political, regional or cultural phenomena, e.g. career woman vs. the little woman or the allusion to Shakespeare's Julius Caesar in example 3.2.274. Such connotations belong to the "horizon" of sender and receiver.

In his famous book How to Be an Alien, George Mikes gives a humorous example.