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Nevertheless, the problem of the Subjunctive Mood in English is really interesting. It is discussed by a lot of linguists not only of England, but Russia, Germany and other countries.
Doing my work, I found out, that English and Russian grammarians see the problem of the Subjunctive Mood in a different way. Different linguists present various quantities of Moods and give them different names.
So, I’ve managed to get acquainted with different theories on the problem of the Subjunctive Mood definition, to consider the main cases of its usage and to learn that the same verbal mood phenomena can be treated differently depending on the basic point in understanding what the Subjunctive Mood is. All these theories only prove the fact that the language is the reflection of variety of forms of human life which is manifested in the saying: so many men, so many minds.
So, before starting to collect the material on the use of the Subjunctive Mood in the works of English and American writers for chapter 3 I had expected there would be quite a lot of examples for some reasons: firstly, because it is fiction, secondly, there are some but not one author, I was going to analyze the works of with their own peculiarities in writing: their own lexical and stylistic devices, their own vocabulary. But the number of the examples I have found came as a surprise to me as it did not meet my expectations.
As it turned out the majority of authors prefer using different forms of the conditional clauses, they make 72,6%.
The second place belongs to the quantity of the Subjunctive Mood forms introduced by the conjunction as if /as though in adverbial clauses of comparison and manner, they make 14,5%.
The sentences to express people’s emotions with «why should» occupy the 3d place, they constitute 8%.
The 4th place 3% that is taken by the sentences where the Subjunctive Mood is introduced by the verb «wish» .
And the last (but not least in importance) place – 1,6% belongs to subject clauses inserting the Subjunctive Mood according to the formula:
It be A….
Graphically I can show it in the following way:
The use of the Subjunctive Mood in the works of English and American authors:
It should be understood that I do not claim that the results obtained by us are embracing all the English and American literature, but I can express an idea that they may be characteristic of it.
The authors can very well do with the Indicative Mood and sometimes Imperative in their creative activities not using supposition, wishes, sorrow and other emotional shades of meaning so much, as I had first expected. May be it is due to the fact that the stories I considered for investigation are based on modern life reality.
It is not necessary to say that our contemporary life is deprived of that romantic touch of sentimentality which can be expressed with the help of the Subjunctive Mood. But I do hope that the forms of the Subjunctive Mood which I discovered in the works of modern English and American writers will be of interest to our students.
As far as my interest of this diploma paper is concerned I am guided by the words of Pascal who said: «People are generally better persuaded by the reasons which they themselves have discovered than by those which have come into the minds of others».
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