Kuleva_summary in english (1137042), страница 7
Текст из файла (страница 7)
This situation is proposed to be interpretedthrough an attempt to oust the state from the sphere of culture, and its "grassrootsneoliberalization". Using the metaphor of A. McRobbie, Russian creative workers also make anexchange: their own labour rights for partial autonomy of the sphere of culture from the state.Despite the fact that the specific structural conditions for the production of culture undoubtedlylargely determine creative work in Russia, it is important to note that new values, conventions,tastes of the international art world are also important for Russian artists who certainly feelconnected to the global community.Data validity and testingThe reliability of the collected data is ensured by sufficient data, adequate methods of theircollection and analysis, methodological tools (interview guide and monitoring protocol),developed in accordance with the purpose and objectives of this study.List of publicationsMain publications:1.
Kuleva M. Cultural Administrators as Creative Workers: the Case of Public and Nongovernmental Cultural Institutions in St. Petersburg // Cultural Studies. 2018. Vol. 32.No. 5. P. 727-746.222. Kuleva M. I. Transformation of creative employment in Russia: the case of nongovernmental art-centres in Moscow // Monitoring of Public Opinion : Economic andSocial Changes. 2017.
№ 2. S. 50-62.3. Kuleva M. I. Contemporary art as a profession: career paths of young artists with adistinctive educational background]//Journal for Sociology and Social Anthropology.2016. T. XIX. № 1. S. 110-124.Other publications:1. Kuleva M., Maglevanaya D. Fashion Bloggers as Cultural Intermediaries: The Meaning ofBrand Choices in Style Production, in: Digital Transformation & Global Society: SecondInternational Conference, DTGS 2017, St. Petersburg, Russia, June 21-23, 2017, RevisedSelected Papers. Springer International Publishing, 2017. Ch.
4. P. 45-54. doi2. Kuleva M., Maglevanaya D. The Dynamics of Professional Prestige in Fashion Industriesof Europe and the US: Network Approach, in: Social Informatics. SocInfo 2017. LectureNotes in Computer Science, vol 10539. Springer, Cham. Springer, 2017. P. 31-40. doi3. Kuleva M.
Old factories, new stakhanovites: Moscow contemporary art-centres asworkplaces / Basic Research Programme. Series HUM "Humanities". 2016. No. 138.4. Kuleva M. I. «Nadet' na sebja oshejnik s jelektricheskim tokom»: molodye sotrudniki«novyh» i «staryh» kul'turnyh institucij na rabochej meste [‘To wear a collar with electricshock: young workers of ‘the new’ and ‘the old’ Russian cultural institutions]// Zhurnalissledovanij social'noj politiki. 2015.
T. 13. № 2. S. 337-344.5. A.A. Zhelnina, A.A. Zinov'ev, M.I.Kuleva. “In the District”: Youth Solidarities on theUrban Periphery /Russian Education and Society. 2015. No. 2. P. 84-96. doi6. Margarita Kuleva. Transgressing the borders: Manifesta European Biennial and its newpublic in Russia / Centre for German and European Studies. Series "Working Papers ofCentre for German and European Studies". 2014.
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