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The diaphragm, a circular aperture behind the lens, operates in conjunction with the shutter to admit light into the lighttight chamber. This opening may be fixed, as in many amateur cameras, or it may be adjustable. Adjustable diaphragms are composed of overlapping strips of metal or plastic that, when spread apart, form an opening of the same diameter as the lens; when meshed together, they form a small opening behind the center of the lens. The aperture openings correspond to numerical settings, called f-stops, on the camera or the lens.

The shutter, a spring-activated mechanical device, keeps light from entering the camera except during the interval of exposure. Most modern cameras have focal-plane or leaf shutters. Some older amateur cameras use a drop-blade shutter, consisting of a hinged piece that, when released, pulls across the diaphragm opening and exposes the film for about 1/30th of a second.

In the leaf shutter, at the moment of exposure, a cluster of meshed blades springs apart to uncover the full lens aperture and then springs shut. The focal-plane shutter consists of a black shade with a variable-size slit across its width. When released, the shade moves quickly across the film, exposing it progressively as the slit moves.

Most modern cameras also have some sort of viewing system or viewfinder to enable the photographer to see, through the lens of the camera, the scene being photographed. Single-lens reflex cameras all incorporate this design feature, and almost all general-use cameras have some form of focusing system as well as a film-advance mechanism.

Exposure Control

By adjusting shutter speed and diaphragm aperture, the photographer obtains just enough light to ensure a proper exposure. Shutter speed and aperture setting are directly proportional: A one-increment change in shutter speed is equal to a change of one f-stop. A “one-stop” adjustment in exposure can refer to a change in either shutter speed or aperture setting; the resulting change in the amount of light reaching the film will be the same. Thus, if the shutter speed is increased, a compensatory increase must be made in aperture size to allow the same amount of light to reach the film. Fast shutter speeds, 1/125th of a second or less, are more effective in capturing objects in motion.

In addition to regulating the intensity of the light that reaches the film, the diaphragm aperture is also used to control the depth of field. Also called the zone of focus, depth of field refers to the area in which objects recorded in the picture will be sharply focused. Decreasing the size of the aperture increases the overall depth of field; widening the aperture decreases the depth of field. When great depth of field is desired—maximum sharpness of all points in the scene, foreground to background—a small aperture and slow shutter speed are used. Since the faster shutter speeds needed to capture motion require, in compensation, larger apertures, the depth of field in such pictures is reduced. On many cameras, the lens ring contains a depth-of-field scale that shows the approximate sharp-focus zone for the different aperture settings.

Camera Designs

Cameras come in a variety of configurations and sizes. The first cameras, “pinhole” cameras, had no lens. The flow of light was controlled simply by blocking the pinhole. The first camera in general use, the box camera, consists of a wooden or plastic box with a simple lens and a drop-blade shutter at one end and a holder for roll film at the other. The box camera is equipped with a simple viewfinder that shows the extent of the picture area. Some models have, in addition, one or two diaphragm apertures and a simple focusing device.

The view camera, used primarily by professionals, is the camera closest in design to early cameras that is still in widespread use. Despite the unique capability of the view camera, however, other camera types, because of their greater versatility, are more commonly used by both amateurs and professionals. Chief among these are the single-lens reflex (SLR), twin-lens reflex (TLR), and rangefinder. Most SLR and rangefinder cameras use the 35-millimeter film format, while most TLR as well as some SLR and rangefinder cameras use medium-format film—that is, size 120 or 220.

View Cameras

View cameras are generally larger and heavier than medium- and small-format cameras and are most often used for studio, landscape, and architectural photography. These cameras use large-format films that produce either negatives or transparencies with far greater detail and sharpness than smaller format film. View cameras have a metal or wood base with a geared track on which two metal standards ride, one in front and one in back, connected by a bellows. The front standard contains the lens and shutter; the rear holds a framed ground-glass panel, in front of which the film holder is inserted. The body configuration of the view camera, unlike that of most general-purpose cameras, is adjustable. The front and rear standards can be shifted, tilted, raised, or swung, allowing the photographer excellent control of perspective and focus.

Rangefinder Cameras

Rangefinder cameras have a viewfinder through which the photographer sees and frames the subject or scene. The viewfinder does not, however, show the scene through the lens but instead closely approximates what the lens would record. This situation, in which the point of view of the lens does not match that of the viewfinder, results in what is known as parallax. At longer distances, the effects of parallax are negligible. At short distances, however, they become more pronounced, making it difficult for the photographer to frame a scene or subject with certainty.

Reflex Cameras

Reflex cameras, both the SLR and the TLR types, are equipped with mirrors that reflect in the viewfinder the scene to be photographed. The twin-lens reflex is box-shaped, with a viewfinder consisting of a horizontal ground-glass screen located at the top of the camera. Mounted vertically on the front panel of the camera are two lenses, one for taking photographs and the other for viewing. The lenses are coupled, so that focusing one automatically focuses the other. The image formed by the upper, or viewing, lens is reflected to the viewing screen by a fixed mirror mounted at a 45-degree angle. The photographer focuses the camera and adjusts the composition while looking at the screen. The image formed by the lower lens is focused on the film at the back of the camera. Like rangefinder cameras, TLRs are subject to parallax.

In the SLR type of reflex camera, a single lens is used for both viewing the scene and taking the photograph. A hinged mirror situated between the lens and the film reflects the image formed by the lens through a five-sided prism and onto a ground-glass screen on top of the camera. At the moment the shutter is opened, a spring automatically pulls the mirror out of the path between lens and film. Because of the prism, the image recorded on the film is almost exactly that which the camera lens “sees,” without any parallax effects.

Most SLRs are precision instruments equipped with focal-plane shutters. Many have automatic exposure-control features and built-in light meters. Most modern SLRs have electronically triggered shutters. Apertures, too, may be electronically actuated or they may be adjusted manually. Increasingly, camera manufacturers produce SLRs with automatic focusing, an innovation originally reserved for amateur cameras. Minolta's Maxxum series, Canon's EOS series, and Nikon's advanced professional camera, the F-4, all have autofocus capability and are completely electronic. Central processing units (CPUs) control the electronic functions in these cameras . Minolta's Maxxum 7000i has software “cards” that, when inserted in a slot on the side of the camera, expand the camera's capabilities .

Autofocus cameras use electronics and a CPU to sample automatically the distance between camera and subject and to determine the optimum exposure level. Most autofocus cameras bounce either an infrared light beam or ultrasonic (sonar) waves off the subject to determine distance and set the focus. Some cameras, including Canon's EOS and Nikon's SLRs, use passive autofocus systems. Instead of emitting waves or beams, these cameras automatically adjust the focus of the lens until sensors detect the area of maximum contrast in a rectangular target at the center of the focusing screen.

Design Comparisons

Of the three most widely used designs, the SLR is the most popular among both professionals and amateurs. Its greatest advantage is that the image seen through the viewfinder is virtually identical with that on which the lens is focused. In addition, the SLR is generally easy and fast to operate and comes with a greater variety of interchangeable lenses and accessories than the other two camera types.

The rangefinder camera, previously used by photojournalists because of its compact size and ease of operation (compared with the big, slow 4-by-5 inch press cameras used by an earlier generation) has largely been replaced by the SLR. Rangefinder cameras, however, have a simpler optical system with fewer moving parts and are thus inherently more sturdy than SLRs, in addition to being quieter and weighing less. For these reasons, some photographers, mainly professionals, continue to use them.

Compared with the other two designs, TLRs have a relatively slow focusing system. As with rangefinder cameras, fewer interchangeable lenses are available, yet the TLR remains popular. The camera produces larger negatives than most SLRs and rangefinders, an advantage when fine detail must be rendered in the final image. In recognition of this, some manufacturers—including Hasselblad, Mamiya, Bronica, and Rollei—have combined the convenience of the SLR with the medium-film format, further reducing the market for the TLR.

Some cameras are designed primarily for amateurs: They are simple to operate, and they produce photographs acceptable to the average snapshot photographer. Many “point-and-shoot” amateur cameras now employ sophisticated technology, with features such as autofocus and exposure-control systems that simplify the process of taking pictures and almost guarantee good-quality photos.