There was another very important feature of the Scandinavian settlement which cannot be overlooked. The Saxon people had not maintained contact with their orginal homelands; in England they had become an island race. The Scandinavians, however, kept their contacts with their kinsman on the continent. Under Cnut, England was part of a Scandinavian empire; its people began to extend their outlook and become less insular. The process was hastened by the coming of another host of Norsemen: the Norman Conquest was about to begin.

William of Normandy with his huge host of fighting men, landed unopposed in the south. Harold had to march southwards with his tired, weakened army and did not wait for reinforcements before he awaited the charge of William's mounted knights at Hastings. The only standing army in England had been defeated in an-all day battle in which the outcome was in doubt until the undisciplined English had broken ranks to pursue the Normans' feigning retreat. The story is too well-known to be repeated here, but when William took his army to London, where young Edgar the Atheling had been proclaimed king in Harold's place, English indecision in gathering together a formidable opposition forced the supporters of Edgar to negotiate for peace. They had no choice. William was duly crowned King of England at Westminster on Christmas Day, 1066.

William's victory also linked England with France and not Scandinavia from now on. Within six months of his coronation, William felt secure enough to visit Normandy. The sporadic outbreaks at rebellion against his rule had one important repercussion, however: it meant that threats to his security prevented him from undertaking any attempt to cooperate with the native aristocracy in the administration of England.

By the time of William's death in 1087, English society had been profoundly changed. For one thing, the great Saxon earldoms were split: Wessex, Mercia, Northumbria and other ancient kingdoms were abolished forever. The great estates of England were given to Norman and Breton landowners, carefully prevented from building up their estates by having them separated by the holdings of others.

The majority of Old English manuscripts are scattered throughout the libraries of England. The two largest collections belong to the British Library and the Bodleian Library of Oxford University. While these documents are national treasures and should be accessible to anyone, they obviously need to be protected; hence, heightened powers of persuasion notwithstanding, it is unlikely that an individual without an academic position or recommendation will be allowed access. Fortunately, many of these documents are on public display.

Most of the existing Old English manuscripts were made in the scriptoria of monasteries by members of the clergy. Anyone who has ever visited the remnants of such a monastery can imagine how difficult this must have been, with such little comfort, light and warmth in winter. It only goes to show the skill of monastic scribes in rendering their words so beautifully.

Anglo-Saxon manuscripts were written exclusively on parchment or vellum. While in modern times we know these media as semi-transparent writing papers used for tracing and sketching, they were originally made out of calf, goat or pig skins which had been stretched, shaved and treated. The result of this process was a thin membrane with one completely smooth side and another with a thin layer of leftover hair. Hundreds of animal skins were required to make a single book. This meant that the cost of creating literature during the Anglo-Saxon period was staggering - and hence the value of the finished product.

After the skins had been treated, they were folded into page-size squares (one fold created a folio, two folds a quarto, four folds an octavo, and so on - denoting the number of pages created by the folds). The result was a "quire," or section of pages. This process permitted the scribe to prick small holes through the pages of each quire, which could then be ruled, making uniformly straight lines of text on each page. Finally the quires would be bound together and covered. Unfortunately, we have few decent examples of what these covers looked like; one notable exception is the small Gospel book found in St. Cuthbert's tomb, now on display at the British Library. This method of book production meant that manuscripts could be easily unbound, permitting portions of texts to become separated, swapped or lost. For this reason, and because medieval writers frequently wrote wherever they could fit text (in blank spaces, on flyleaves, etc.), many manuscripts contain a wide assortment of different documents.

The dominant script of the Old English manuscripts is Anglo-Saxon (also called Insular, a Latin word meaning "island"; in this context, the term means "from England or Ireland"). It stemmed from the Uncial script brought to England by Augustine and his fellow missionaries, and incorporated the initially Irish Roman Half-Uncial. The Anglo-Saxon hand was generally miniscule (a calligraphic term meaning smaller, lower-case letters), reserving majuscule characters (larger, upper-case letters) for the beginnings of text segments or important words (this developed into the norm for modern writing - beginning sentences and "important" words with capital letters). These fonts are perfect for calligraphers who want to work on their hand or experiment with page layouts before writing. They may also be useful for those who are unfamiliar with the slight variations between the appearances of Old English and modern English characters.

The most popular element of medieval manuscripts in general is illumination - the decoration of text with drawings. Latin texts were more often illuminated than were Old English texts. But there are some spectacular examples of Old English illumination, including the stark line drawings, the biblical illustrations of Cotton Claudius, the mysterious Sphere of Apuleius in Cotton Tiberius, the Lindisfarne Gospels (Cotton Nero - one of the few manuscripts that approaches the Book of Kells), and so on.

Why would someone want to read a manuscript facsimile of an Old English text rather than a printed edition? A couple answers come to mind. First of all, Old English manuscripts are, by and large, beautiful. Second, you never know exactly what you're getting when you read a printed edition (maybe this is a slight exaggeration, but still only a slight one). Some printed texts are "normalized," reducing the natural variation in spelling, conjugation, declension, etc., common in Old English works (most medieval writers were not nearly as concerned with consistency of spelling as modern writers). Furthermore, some printed texts collate or "average" between multiple manuscripts of the same work, offering a composite text which, while perhaps more representative of that work, loses the qualities which make a manuscript unique. Naturally, this process can thwart anyone trying to make deductions about the dialectical, calligraphic or interlinear aspects of a particular manuscript (sometimes the most interesting aspects).

Lecture 2. OLD ENGLISH PHONETICS

OE is so far removed from Mod E that one may take it for an entirely different language; this is largely due to the peculiarities of its pronunciation.

The survey of OE phonetics deals with word accentuation, the systems of vowels and consonants and their origins. The OE sound system developed from the PG system. It underwent multiple changes in the pre-written periods of history, especially in Early OE. The diachronic description of phonetics in those early periods will show the specifically English tendencies of development and the immediate sources of the sounds in the age of writing.

Word Stress

The system of word accentuation inherited from PG underwent no changes in Early OE.

In OE a syllable was made prominent by an increase in the force of articulation; in other words, a dynamic or a force stress was employed. In disyllabic and polysyllabic words the accent fell on the root-morpheme or on the first syllable. Word stress was fixed; it remained on the same syllable in different grammatical forms of the word and, as a rule, did not shift in word-building either. The forms of the Dat. case of the nouns hlaforde ['xla:vorde], cyninge ['kyninge] used in the text and the Nom. case of the same nouns: hlaford ['xla:vord], cyning ['kyning]. Polysyllabic words, especially compounds, may have had two stresses, chief and secondary, the chief stress being fixed on the first root-morpheme, e.g. the compound noun Norðmonna from the same extract, received the chief stress upon its first component and the secondary stress on the second component; the grammatical ending -a (Gen. pl) was unaccented. In words with prefixes the position of the stress varied: verb prefixes were unaccented, while in nouns and adjectives the stress was commonly thrown on to the prefix.

Cf: a'risan – arise v., 'toweard – toward adj., 'misdæd – misdeed n.

If the words were derived from the same root, word stress, together with other means, served to distinguish the noun from the verb, cf:

Changes of Stressed Vowels in Early Old English

Sound changes, particularly vowel changes, took place in English at every period of history.

The development of vowels in Early OE consisted of the modification of separate vowels, and also of the modification of entire sets of vowels.

It should be borne in mind that the mechanism of all phonetic changes strictly conforms with the general pattern. The change begins with growing variation in pronunciation, which manifests itself in the appearance of numerous allophones: after the stage of increased variation, some allophones prevail over the others and a replacement takes place. It may result in the splitting of phonemes and their numerical growth, which fills in the "empty boxes" of the system or introduces new distinctive features. It may also lead to the merging of old phonemes, as their new prevailing allophones can fall together. Most frequently the change will involve both types of replacement, splitting and merging, so that we have to deal both with the rise of new phonemes and with the redistribution of new allophones among the existing phonemes. For the sake of brevity, the description of most changes below is restricted to the initial and final stages.

Independent Changes. Development of Monophthongs

The PG short [a] and the long [a:], which had arisen in West and North Germanic, underwent similar alterations in Early OE they were fronted and, in the process of fronting, they split into several sounds.

The principal regular direction of the change - [a]>[æ] and [a:]>[æ:] – is often referred to as the fronting or palatalisation of [a, a:]. The other directions can be interpreted as positional deviations or restrictions to this trend: short [a] could change to [o]or [a] and long [a:] became [o:] before a nasal; the preservation (or, perhaps, the restoration) of the short [a ] was caused by a back vowel in the next syllable— see the examples in Table 1 (sometimes [a] occurs in other positions as well, e.g. OE macian, land, NE make, land).

Table 1

Splitting of [a] and [a:] in Early Old English

Development of Diphthongs

The PG diphthongs (or sequences of monophthongs) [ei, ai, iu, eu, au] — uderwent regular independent changes in Early OE; they took place in all phonetic conditions irrespective of environment. The diphthongs with i-glide were monophthongised into [i:] and [a:], respectively; the diphthongs in u-glide were reflected_a&_long__diphthongs [io:], [eo:] and [au] >[ea:].

If the sounds in PG were not diphthongs but sequences of two separate phonemes, the changes should be defined as phonologisation of vowel sequences. This will mean that these changes increased the number of vowel phonemes in the language. Moreover, they introduced new distinctive features into the vowel system by setting up vowels with diphthongal glides; henceforth, monophthongs were opposed to diphthongs.